You can adjust the maximum point (output level) and Sensitivity (at which level the knee adjustments starts). This is really advanced stuff so I would recommend leaving Adjust to Auto. HLG is not available on the A7 I and A7 II series. Use this handy reference guide to make sense of … The old Sony a7S is definitely an example of a camera that valued design over ergonomics, but the a7S II is quite comfortable to use. find out about the movie capabilities of your full frame E-mount camera here, you’re shooting with multiple cameras and you need to match the image of your A7 with a Sony camcorder, you want to colour grade in post production, you need to meet specific requirements for a client (ex. Picture Profile tone adjustment, time code/user bit precision editing, and various other newly added advancements sharpen the cutting edge of α7S II moviemaking performance. In Manual mode, there are two parameters: Point and Slope. However, the dynamic range becomes narrower accordingly when you shoot with a brighter setting. The same reasoning applies to shadows: the Picture Profile allows you to push the brightness much more (although you may get more noise as a result). PP3: more contrast and saturated colours that can work well for landscape shots or other scenes where you want vivid colours, PP5: record more dynamic range to do some colour grading in post. A negative value will preserve more dynamic range but you may lose natural gradations. This setting is very precise at altering only the channels you’ve selected. There are two Sony Log gammas you can choose. PP1: Soft looking image that requires small adjustments in post and pleasant with skin tones. Boosting the shadows on S-Log2 adds a bit of noise but not more than what you get with S-Log3. Third, no Sony camera records in 10-bit (internal or external) as of now, and S-Log2 / S-log3 are designed to work with 10-bit footage (they were created for more expensive camcorders). AXN; Sony Music Classic artists to today’s stars, local and global. There is a lot you can do with HLG both in-camera and in post, as you can see from this second portrait example. Knee allows you to control the signal in high sensitivity areas to have more or fewer details in the highlight zones. But you can also select your Gamma Curve - which is where you will find S Log 2 and 3. In the wonderful world of the internet, you won’t have trouble finding tutorials that explain everything you need to know, but of course it requires extra work. The images match up nicely in the edit with a bit of tinkering. It is a very good setting because you can push it to the maximum without over-sharpening, and the image retains a natural look. Sony menu system is a nightmare Thank you in advance Edited September 28, 2020 by Davide DB. Log Profiles4. But there are the following differences. You may think that this setting is only related to the final end use, but HLG is an interesting profile because it records more dynamic range than most other gamma curves, without giving you the same flat look you get with S-Log (the image doesn’t look unnatural). Easy post-production tool expands expression. Your personal data won't be recorded until the form has been submitted successfully. This is a good setting to give the image a bit more contrast if you use a soft gamma setting. If the noise still is significant even after processing pictures, it may be improved by shooting with a brighter setting. The look of your image is also influenced by the Gamma setting seen earlier. If you’re a beginner, limit yourself to Black Level, Gamma, Colour Mode and Saturation. By default, the ten parameters (PP1-PP10) are set to cover the following in-camera gamma profiles; Movie, still, Cine1-4, ITU709, ITU 709 (800%), S-Log-2, S-Log3 and HLG1-3), with manual control over numerous parameters including black level, colour mode and saturation. When setting these parameters, connect the camera to a TV or monitor, and adjust them while observing the picture on the screen. The S-Log3 offers better tonal reproduction from shadow to mid-tone (18% gray) than the S-Log2. This is because I used two different colour modes, both designed for Log curves. The Black Level makes the blacks of your image harder (darker) or softer (lighter). Although new standards exist, 709 remains one of the most common. Recording with this profile allows you to stream your movie on compatible HDR TVs and other devices with a superior brightness range in comparison to SDR (Standard Dynamic Range). Note: Gamma Disp. Lindgren starts with the C3 button on … The following image of a doll is our reference to show you what each setting does. This parameter increases or decreases the strength of details in the image in ±7 levels. (0 (shallow crispening level) to 7 (deep crispening level)). Reminder: the links below are affiliate links. You can recover some highlights on S-Log2 and reduce noise on S-Log3 by making the shadows a bit darker. The image out of the Sony a7S II is superb. For the gimbal shots (our excellent Zhiyun Crane 2) we used the Sony A7s2 dslr. Working with Log is great, but there are some important things to take into consideration. Select the desired value using the top/bottom sides of the control wheel and press in the center. / sony a7ii picture profiles for video. With Cine1 gamma and Movie color, you gain some colour vividness while maintaining a softer contrast. One of the best, Davinci Resolve, is free to use but not the easiest software to begin with. Setting Crispning to 7 helps but be careful because it softens the image as a result. In the following video, long-time Sony user Cody Blue shows off what he believes are the best Cine4 settings when shooting video with a Sony mirrorless camera that features the profile. Normally, you would not be inclined to do that for fear of blowing out your highlights, but thanks to the Log curve, more information in the bright zones is preserved by default, so you have more leeway for overexposing while recording. Slope determines the inclination of the knee curve. The PP7 preset combines S-Gamut and S-Log2, while PP8 is S-Gamut3.cine/S-Log3 and PP9 is S-Gamut3/S-Log3. S-Gamut is a color space unique to Sony that provides a wide color space equivalent to film cameras. Born in the Philippines, Spencer moved to southern California at a very early age as a son of a US Navy sailor. Although many colour modes are designed for a specific gamma curve, you can experiment and try different ones to see how it affects your image. Easy post-production tool expands expression . To know more about our ethics, you can visit our full disclosure page. On the A7S II, there are 9. Once you’ve acquired more experience, you’ll learn how to deal with the other parameters. Move to the item index screen by pressing the right side of the control wheel. When you work with HLG, there are only two colour modes available: Trivia: BT.2020, also known as Rec.2020, is fundamentally the next generation of standardisation for broadcast television, specifically ultra-high definition (4K). It works in ±15 steps. Link to post Share on other sites. One is shot with the Standard Creative Style, the second with one of my PP presets. Easy post-production tool expands expression . The advantage of using a Log profile is that you have more flexibility in post when colour grading, can match colours between various shots more precisely, and can give your image the creative look that you want. That said, I found that setting -2 for the V/H Balance does decrease noise a little. The α7S II even offers impressive 14-stop latitude in S … We recommend checking the picture in advance by test shooting when using S-log2. Trivia: recording in 10-bit means recording 64 times more colour depth in comparison to 8-bit. Introduction If you have ever wondered why talent in front of a Sony camera looks like the cast … This setting allows you to fine-tune colours very precisely and I consider this an advanced level. To finish off, here are some of the presets I have used and tweaked on a regular basis for my reviews and comparisons. You still need to colour grade a little, but the process can be as quick as adding a bit more contrast and increasing the saturation. It is also known as HDR video. Alternatively if I want the perfect image and I have plenty of time to colour correct in post production on Photoshop CS6, I will use a Picture Profile of PP7. However be careful when setting the Slope because a negative value can decrease the brightness too much. Here, you will see a bunch of options you can fine-tune, such as Saturation and Black Level. Not … As you can see below, Movie adds more contrast and saturation, which can be fine depending on the look you’re after. PP6 / PP7: Log profile for colour grade in post. In this example, +2 is enough to preserve all the details necessary and keep the gradations intact. Sony has assigned PP7 with the S-Log2 profile, by default, and this profile produces very flat movie footage. A Log gamma curve is optimised to the dynamic range of the sensor. Allows you to change the settings for the color, gradation, etc for movies. I hope they can be helpful for you as a starting point. It can work with Standard Dynamic Range and has a wider colour gamut than Rec.709. Gamma Display Assist6. Certainly the zone outside the window remains overexposed, but the green colours are not washed out and the transition between the different tones is more natural. the upper DETAIL (W). I don't want to use SLog and spending hours with CC Am I missing some settings? Since the parameters are shared for movie and still images, adjust the value when you change the shooting mode. Unless otherwise specified, these frames are extracted from 4K footage recorded with Cine1 Gamma and Cinema Color mode. To customize, select any of them by pressing right on the control wheel. You can also tweak some of the parameters found in the Picture Profile we discussed earlier to try to have a decent result in-camera. )), V/H Balance: Sets the vertical (V) and horizontal (H) balance of But at the risk of sounding repetitive, I think you’ll find HLG more than enough in many situations. Interceptor121 461 Interceptor121 461 Blue Whale; Member; 461 3508 … You can even try to adjust other parameters such as Black Level and Saturation to have a good result in camera with the best dynamic range possible. For those unfamiliar with Cine4, it’s one of the many Gamma presets that Sony includes with their mirrorless cameras. Select the desired value using the up/down sides of the control wheel and press in the center. Once you know what they do, you can start playing around with them and understand their potential. The Creative Styles can lose details in the highlights (and shadows) much more easily. Any suggestion of a Sony Picture profile more natural? In other words, they are the settings that give you the best dynamic range. Note: you can also choose the Cine4 picture profile to have a bit more contrast and highlight retention, and keep the black level a bit higher. Picture Profile tone adjustment, time code/user bit precision editing, and various other newly added advancements sharpen the cutting edge of α7S II moviemaking performance. http://helpguide.sony.net/di/pp/v1/en/index.html, Situations this product has difficulty handling. On most A7 cameras you will find a setting called Picture Profile. Sony a7S III FilmConvert Profile Added. When you add up all of the a7S II’s different recording modes, it can be difficult to keep track of when different frame rates and bitrates are available, and which modes result in different crop factors. The flexibility it offers is also valid for other scenes like the one below. If we look at our doll example below, you can see that some of the dress at the centre is clipped (white without any detail in the dress texture). My Presets9. Check price of the Sony A7 III on:Amazon | Amazon UK | B&H Photo | eBay, Check the price of the Sony A7R III on:Amazon | Amazon UK | B&H Photo | eBay, Check price of the Sony A7R IV onAmazon | Amazon UK | B&H Photo | eBay, Check price of the Sony A7 II on:Amazon | Amazon UK | B&H Photo | eBay, Check price of the Sony A7R II on:Amazon | Amazon UK | B&H Photo | eBay, Check price of the Sony A7S II on:Amazon | Amazon UK | B&H Photo | eBay. More details on the houses and roofs are visible, as well some mountains in the background. This happens because in order to deliver the best exposure latitude, the camera uses the native ISO of the sensor, which is usually higher than the normal base level. The image is super clean and very cinematic. (Type1 (off to the lower DETAIL (B) side) to Type5 (off to the upper DETAIL (W) side)), Crispning: Sets the crispening level. FilmConvert offers a wide variety of picture profiles for popular cameras. The A7s2 is much smaller than the Fs7 and makes the gimbal rig light and easy to handle. My Favorite Picture Profile For the Sony A7Sii and FS5 Three months ago, I started making wedding cinematography training videos to help others film weddings. But for very precise colour grading, the footage from your SD card, or even from an external recorder could show some limitations. In addition to the creative looks, there are picture profile primarily designed for video use. The low light performance of your A7 camera is really tied to the performance of its sensor and the ISO sensitivity. The Sony A7S II is a great camera. hi just got an a7s2 to join with the a7r I have, need a bit of help on two things, first what does slog 2 or 3 do I don't get it and, second how do I get stills from the 4K video. If you buy something after clicking the link, we will receive a small commission. If you want to change some of the advanced settings, make sure to do it on a PP preset other than the one you use frequently. Now that competitors have started to include 10-bit recording on their mirrorless camera, it’s time for Sony to catch up and take better advantage of its excellent sensors. sony a7ii picture profiles for video. Before joining the ranks of a Sony Artisan of Imagery, Spencer Pablo has taught many workshops from the typical photo-based workshops to the emergency dispatch software conferences (and everything in between). You can see some examples in the video below. This is why I’ve decided to cover them in a separate article. Select the item to change using the top/bottom sides of the control wheel. Picture Profile tone adjustment, time code/user bit precision editing, and various other newly added advancements sharpen the cutting edge of α7S II moviemaking performance. The α7S II even offers impressive 14-stop latitude in S … Select the desired value using the up/down sides of the control wheel and press, Mode: Selects auto/manual setting. Note: if you record with Log and colour grade, your editing software may have some tools to reduce noise. Select the item to change using the up/down sides of the control wheel. I always like to choose a softer gradation, so a gamma like Cine1 or Cine3/Cine4 would satisfy my needs, and I can complete a few things in post. It took about a week after uploading my first video for me to discover that there is a massive community of wedding cinematographers out there that want to get better at their craft. Final Recommendations8. Here you’ll find various colour types and colour levels designed for different gamma curves. Enter your email and click the blue button below to open the subscription form. (Ignore S-Gamut, BT.2020 and 709 unless you’re using a S-Log or HLG profile). (-2 (off to the vertical (V) side) to +2 (off to the horizontal (H) side)), B/W Balance: Selects the balance of the lower DETAIL (B) and The white is replaced by grey, tone transitions are gone and the image looks unnatural. 100Mbps) can help a little but you’re still dealing with an 8-bit signal. Ethics statement: the following is based on our experience testing many A7 cameras over the years. The two cameras complement each other well. While it has slower handling than a DSLR and not my choice for serious work (it only has one card slot for instance), as a … MENU → (Camera Settings) → [Picture Profile] → the profile you want to change. The lowest negative and highest positive values are not too extreme so this setting gives you the possibility to fine-tune the blacks very precisely. Buried deep within the 5th camera sub-menu, you will find Picture Profile. No matter how advanced a compression format is, … For S-Log3, there is S-Gamut3 and S-Gamut3.cine. Use S-Gamut3 if your end product needs to have a wider colour gamut (bigger than the standard BT.709). Move to the item index screen by pressing the right side of the control wheel. Log’s usefulness isn’t limited to scenes with a high contrast. There are so many settings in the Picture Profile that you can easily forget what you’ve changed and realise weeks later that you’ve been shooting with wrong values. Assist doesn’t work when the camera is connected to a TV or monitor. Another thing you’ll notice is that the minimum ISO is higher than usual. The Adjust entry lets you fine-tune other parameters such as Vertical and Horizontal details, among other things. As you can see in the image below, the grip on the a7S II is much more pronounced than the original a7S. On Page 5, if the Picture Profile is set to OFF, I like to set the cameras' Creative Style option to Clear, as this gives the images more sharpness, so when photographing buildings and design, you'll get a great finish. As you can imagine, the number of PP versions you can create is almost limitless. No Intra here so that it works with regular SD cards. Gamma Display Assist on Sony A7 III, A7S II, A7R IV . In the example below, you can see that HLG loses some highlights in the window, but the image has better contrast and saturation overall. It is not relevant for the A7 I, A7R I, A9 and A9 II because the Picture Profiles are missing from these cameras. When using S-Log2 gamma, the noise becomes more noticeable compared to when using other gammas. To fit massive amounts of image data in a limited memory capacity, this camera compresses image data when recording. This article is part of our in-depth guide on how to use the Sony A7 and A9 series. When you record with a Log or HLG profile, the preview on your LCD screen doesn’t reflect the final look of your video. Then he does use the S-Log3 picture profile with S-Gamut3.cine. However these parameters are not beginner friendly and require some knowledge of video settings, broadcast standards and post production. There are different answers to this question: The last point is the easiest to understand. I've done a lot of searching forums but I feel most comfortable using these settings. In comparison to the base HLG: Overall I like to use HLG3 because not only do I get more dynamic range, but the noise is also cleaner and more uniform than HLG and HLG2 as you can see below. He is a father, husband, a Sony Artisan of Imagery … We were not asked to write anything about these products, nor were we provided with any sort of compensation. Let me know which ones you use. While searching for the right look in-camera, it is also important to consider skin tones when recording close-ups of people. Included in this setting are S-Log2, S-Log3 and HLG that we’ll discuss further down. Picture Profile settings have been redeveloped, adding S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3, which deliver what the company claims (“wide dynamic range and simple color correction”) and complement the camera’s 4K recording capabilities. You can find out about the movie capabilities of your full frame E-mount camera here. S-Log3 has a wider dynamic range than S-Log2, and its curve has been designed to be closer to that of film. The introduction of the Picture Profiles was a good step forward for Sony A7 users, because they provide much more flexibility than the Creative Styles (which are designed for JPG stills) in terms of dynamic range, contrast and colour. Last updated: January 27, 2021 Go to Comments. Each Picture Profile contains the following settings: Let’s have a deeper look at what each of these do. Auto is optimised for the Movie and ITU709 gamma only, and offers less precise control. By setting the Point to 75%, I can control the amount of detail in that area.
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